onsdag 25 februari 2009

Top 10 AC/DC songs (my opinion)

10:High voltage
9:T.N.T
8:Hell's bells
7:If you want blood (you've got it)
6:Thunderstruck
5:Who made who
4:Touch to much
3:Highway to hell
2:Back in black
1:You shook me all night long

Photo gallery:

In my opinion the best album.





Angus wedding i think=)





Black ice




AC/DC book


My AC/DC flag:

AC/DC band history

AC/DC's mammoth power-chord roar became one of the most influential hard rock sounds of the '70s. In its own way, it was a reaction against the pompous art rock and lumbering stadium rock of the early '70s. AC/DC's rock was minimalist -- no matter how huge and bludgeoning the guitar chords were, there was a clear sense of space and restraint. Combined with Bon Scott's larynx-shredding vocals, the band spawned countless imitators over the next two decades. AC/DC was formed in 1973 in Australia by guitarist Malcolm Young after his band, the Velvet Underground, collapsed (Young's band has no relation to the seminal American group). With his younger brother Angus as lead guitarist, the band played some gigs around Sydney. Angus was only 15 years old at the time and his sister suggested that he should wear his school uniform on stage; the look became the band's visual trademark. While still in Sydney, the original lineup (featuring singer Dave Evans) cut a single called "Can I Sit Next to You," with ex-Easybeats Harry Vanda and George Young (Malcolm and Angus' older brother) producing. The band moved to Melbourne the following year, where drummer Phil Rudd and bassist Mark Evans joined the band. The band's chauffeur, Bon Scott, became their lead vocalist when their singer, Dave Evans, refused to go on stage. Previously, Scott had been a drummer for the Australian pop bands ... AC/DC's mammoth power-chord roar became one of the most influential hard rock sounds of the '70s. In its own way, it was a reaction against the pompous art rock and lumbering stadium rock of the early '70s. AC/DC's rock was minimalist -- no matter how huge and bludgeoning the guitar chords were, there was a clear sense of space and restraint. Combined with Bon Scott's larynx-shredding vocals, the band spawned countless imitators over the next two decades. AC/DC was formed in 1973 in Australia by guitarist Malcolm Young after his band, the Velvet Underground, collapsed (Young's band has no relation to the seminal American group). With his younger brother Angus as lead guitarist, the band played some gigs around Sydney. Angus was only 15 years old at the time and his sister suggested that he should wear his school uniform on stage; the look became the band's visual trademark. While still in Sydney, the original lineup (featuring singer Dave Evans) cut a single called "Can I Sit Next to You," with ex-Easybeats Harry Vanda and George Young (Malcolm and Angus' older brother) producing. The band moved to Melbourne the following year, where drummer Phil Rudd and bassist Mark Evans joined the band. The band's chauffeur, Bon Scott, became their lead vocalist when their singer, Dave Evans, refused to go on stage. Previously, Scott had been a drummer for the Australian pop bands Fraternity and the Valentines. More importantly, he helped cement the group's image as brutes -- he had several convictions on minor criminal offenses and was rejected by the Australian Army for being "socially maladjusted." And AC/DC was socially maladjusted. Throughout their career they favored crude double entendres and violent imagery, all spiked with a mischievous sense of fun. The group released two albums -- High Voltage and TNT -- in Australia in 1974 and 1975. Material from the two records comprised the 1976 release High Voltage in the U.S. and U.K.; the group also toured both countries. Dirty Deeds Done Dirt Cheap followed at the end of the year. Evans left the band at the beginning of 1977, with Cliff Williams taking his place. In the fall of 1977, AC/DC released Let There Be Rock, which became their first album to chart in the U.S. Powerage, released in spring of 1978, expanded their audience even further, thanks in no small part to their dynamic live shows (which were captured on 1978's live If You Want Blood, You've Got It). What really broke the doors down for the band was the following year's Highway to Hell, which hit number 17 in the U.S. and number eight in the U.K., becoming the group's first million-seller. AC/DC's train was derailed when Bon Scott died on February 20, 1980. The official coroner's report stated he had "drunk himself to death." In March, the band replaced Scott with Brian Johnson. The following month, the band recorded Back in Black, which would prove to be their biggest album, selling over ten million copies in the U.S. alone. For the next few years, the band was one of the largest rock bands in the world, with For Those About to Rock We Salute You topping the charts in the U.S. In 1982, Rudd left the band; he was replaced by Simon Wright. After 1983's Flick of the Switch, the band's commercial standing began to slip; they were able to reverse their slide with 1990's The Razor's Edge, which spawned the hit "Thunderstruck." While they haven't proved to be the commercial powerhouse they were during the late '70s and early '80s, the '90s have seen them maintain their status as a top international concert draw. In the fall of 1995, their sixteenth album, Ballbreaker, was released. Produced by Rick Rubin, the album received some of the most positive reviews of AC/DC's career. Ballbreaker entered the American charts at number four and sold over a million copies in its first six months of release. In february 2000 they published Stiff Upper Lip. And year 2008 they released there newest album black ice.
Stockholm, SE Globen Arena
February 22, 2009

SETLIST:

1. Rock'n'roll Train
2. Hell ain't a bad place to be
3. Back in Black
4. Big Jack
5. Dirty Deeds
6. Shot Down in Flames
7. Thunderstruck
8. Black Ice
9. The Jack
10. Hell's Bells
11. Shoot to Thrill
12. War Machine
13. Anything Goes
14. You Shook Me All Night Long
15. TNT
16. Whole Lotta Rosie
17. Let there be Rock
18. Highway to Hell
19. For Those About to Rock

I wasn't there but im going on ullevi sweden

Angus young

At school, Angus was an unenthusiastic student. His only real academic interest was art wich allowed him some freedom of expression. He gave up school at 15 and went to work for a soft porn magazine called Ribald as a printer. But his ambitions laid elsewhere anyway, and for a year prior to leaving school Angus had been practising guitar almost constantly, jamming around with friends and playing at school dances. In the beginning, Angus messed around with Malcolm's guitars for years before his mother finally bought him his own, a cheap little acoustic. By the time he was eleven Angus had flirted with a tutorial course, but he prefered to learn by himself and most of his musical education was pure trial and error. While his older brother Malcolm was hatching plans for his new band, Angus was well on his way toward establishing a distinctive stage persona. His spasmodic, seemingly out-of-control onstage body language has always come naturally. Such trademark Angus moves as his patented duckwalk and his on-the-floor body spasms could be handy attention-getting devices when playing for drunken, rowdy barroom crowds. Many of these gestures grew out of accidents. One night Tantrum, the pre-AC/DC band Angus was playing with, was going down really badly. Angus walked across the stage and tripped over the guitar lead, so he felt a right dick and he kept running across the floor. He made it look like a death scene, screaming all hell from the guitar. It was the only clap they got that night. Angus told his brother about it. Malcolm asked him to join the band he was putting together.

Bon scott

Bon spent the first six years of his life in the small town of Kirriemuir. Bon's parents hailed from musical families; his father, Charles, known to friends and relations as Chick, played drums in the Kirriemuir Pipe Band and performed with the local light-opera company. In 1952, the Scott family relocated to Australia. The Scotts first resided in Melbourne before settling in the Adelaide suburb of Sunshine. In 1956, Bon's brother Graeme was diagnosed with asthma and the Scott family relocated to Fremantle. As early as grade school, Bon had shown an affinity for music, first playing recorder in school; he would subsequently have brief flirtations with piano and accordion, before settling on drums. Bon took his first tentative steps as a performer at the age of twelve, playing a recorder duet with a classmate at a school concert and banging the drums alongside his father in the local Caledonian Society's Scots pipe band. Bon's lifelong distaste for authority led him to quit his studies at the age of fifteen. After leaving school, he held a series of odd jobs, driving a tractor, laboring on fishing boats and working as an apprentice weighing-machine mechanic. Bon's earliest bands found him doubling up on vocals and drums. In Perth during 1966 he played with The Spectors. Then he moved on to The Valentines. In May 1967 The Valentines released a debut single entitled 'Every Day I Have To Cry' on the Clarion label. Despite its lack of originality, the single reached the Top 5 of the local charts. But their next three singles flopped and they decided to move to Melbourne for a change of luck. The Valentines recorded three Easybeats songs, 'She Said', 'Pelicular Hole In The Sky' and 'My Old Man's A Groovy Old Man'. The latter reached No. 23 in the Australian charts in July 1969. On September 20, 1969 The Valentines were arrested for dope possession which shattered their clean-cut image beyond repair. Nevertheless The Valentines released another single, 'Juliette' in April 1970 that barely reached the Australian Top 30. The band officially called it quits on August 1, 1970. Within six months of The Valentine's dissolution, Bon received a call from Bruce Houwe, leader of a new blues-rock band called Fraternity, inviting him to join his group. By the time Bon joined Fraternity, the band had already recorded a single, 'Why Did It Have To Be Me', and begun gigging around Adelaide, where it had relocated from its original base of Sydney. After two albums for RCA Australia, 'Live Stock' in 1971 and 'Flaming Galah' in 1972, Fraternity decided to try their luck in Europe. For the most of 1973 they toured the Continent, principally Britain and Germany. They even got to support a band called Geordie, fronted by one Brian Johnson, in the UK. The European trip was largely fruitless for Fraternity and they returned to Australia slightly disillusioned. After returning home, Bon was involved in a motorbike accident that left him in a coma for three days and in hospital for several months, ending his association with Fraternity. Now based in Adelaide, Bon was reduced to taking on casual work until the day he was offered the chance to drive this new band called AC/DC around. Bon lost little time in telling the band he could play drums, and before long he'd successfully auditioned for Peter Clack's position in the band. He also recommended as bass player his old friend from Fraternity, Bruce Houwe. But Bon harboured ambitions to front the band. He persuaded the Young brothers that the band needed a better frontman and he suggested himself as the ideal replacement. And when Dave Evans failed to turn up for a show, Bon seized his chance. Bon Scott was the man who brought AC/DC into sharp focus. He was a unique personality, a man of such charisma that he could make every single fan in an audience of thousands feel like he was performing just for them, whilst also having the ability to make the local pub seem like an arena. He enjoyed life and loved nothing better than giving pleasure to others. Yet Bon Scott was also an excessive and this would ultimately lead to tragedy. After a night of heavy drinking, Bon died in a car parked outside a friend's flat in South London sometime on February 19, 1980. He was prononced dead on arrival at Kings College Hospital. Bon Scott lies in the Fremantle Cemetery's Memorial Garden in Australia.